The Sound and Shapes of Stars (poem)

So, a new prompt from Laura at dVerse Poets is to get Chaucerian with a Roundel. This is something I’m sure I would remember if I were to be transported back to my College days, and Doc Sipple and Doc Bowers but then, in that transporting back, I would most surely get distracted and totally forget the task at hand and forget about those classes and lessons.

But here, in the now?

Circling back to the 14th Century: Though we often associate the Roundel with Swinburne, his was a 19th century deviation because it is to Chaucer that we owe this poetry style, (as well as the iambic pentameter and the ‘rime royal’).

Thus we distinguish the Chaucerian Roundel from all other forms as well as from The Rondel and Rondeau. And by now you’ve guessed that our poetry today is to be written as Chaucer outlines:

Poetry Style:

  • 13 lines
  • 3 stanzas divided into 3 lines (tercet); 4 lines (quatrain) 6 lines (sestet)
  • rhyme scheme: A B1 B2/a b A B1/a b b A B1 B2
  • usually 10 syllables per line as iambic pentameter

As is evident from the above there are only 2 rhymes to the scheme, and once you have the first 3 lines, it repeats in two refrains so the poem is not too challenging!

Ok, now I will beg to differ on the “not too challenging” but?

So I went to where I’ve been on a few things somewhat recently and hope I kept to task Laura.

As to Doc Sipple and Doc Bower? Sorry I’m late, I was a bit distracted.

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The Sound and Shapes of Stars

Singing songs no one dears but me off key

stars grass at my back and breeze through my toes

of twilight verses and star choruses those

.

A menagerie of lighted point shapes stabled

fed above clouds of my head on clear eves

Singing songs no one dears but me off key

stars grass at my back and breeze through my toes

.

They crow and bubble and roar bark soundings

star shapes of animal comfort arms outstretched

to pet and grasp and sing at time’s knowing

Singing songs no one dears but me off key

stars grass at my back and breeze through my toes

singing songs in boy head of choruses those

When We (I) Were Writers (poem)

The idea here, from Grace, was to make a try at at a different poetry form, Trolaan.

As per Grace’s prompt:

Trolaan, created by Valerie Peterson Brown, is a poem consisting of 4 quatrains. Each quatrain begins with the same letter. The rhyme scheme is abab for each quatrain.

Starting with the second stanza you use the second letter of the first line of the first stanza to write the second, each line beginning with that letter.

On the third stanza you will use the second letter on the first line of the second stanza and write the third each line beginning with that letter.

On the fourth stanza you will use the second letter on the first line of the third stanza and write the fourth each line beginning with that letter.

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So, I thought back here to my undergraduate days when I, and my friends, envisioned ourselves as writers, poets.

.

When We (I) Were Writers

We (I) were words at seeming will

Wrought with grand poetic intent

With a hubris of great writers of skill

Willing envied youth to supplement

.

Every piece was poring/pouring soul

Even knowing in my heart to avoid such a thing

Easy it was claim “soul” glorying to all my one unfounded old

Entreating “hearts” then even made me worse for sing

.

Vanity of but soul would make readers quake at my depth

Vowing to pen classics worthy of masters

Vacating a notion of things just, just things to be said

Venturing not into words that mattered

.

And I came about but in slow, still, revelation

Amid not the soul nor heart’s cliche but the every day

Aweing how sudden old wrought dramatic word made way for just, just simple observation

And that that, that simplest of thought, just might be the true soul say

The Crow & The Winter Witch (poem)

So at dVerse Poets this week Kim had an eye check-up for a new prescription and part of the check-up was to read from laminated test cards of different size fonts in sentences and below each of the sentences were sets of four words. She thought these sets of four words would make a cool poetics prompt.

And, thus, said prompt from Kim? To choose one or two sets of words and write a poem using them in the order in which they appear. There was a bit more possible to the prompt but I was good … thanks Kim.

Here are the sets of words:

(I chose the sets in bold)

nose – one – cause – even
were – crone – our – summer
name – use – means – arose
near – can – remove – sure
crow – verse – see – renew
assume – once- van – sum
aware – caves – sea – cream

The Crow & The Winter Witch

The crow walks as if his smart, stone counting, building stick were cigar

like Groucho

or cane for crone who invites him for company’s perch and old silly movies

in cold months

and caws crow joke verse for friends to hear

and see

in funny slide skip dance steps

on out warm window sills

that make old lonely

fairy tale’d spoke

bent magic’d women

laugh

and friends cackle

in wing’d giggle flitting fits

away

while he lingers her equally bent house

in the winter wood

“our bent house”

he thinks

to while away until

Spring

then Summer

renew

her time to wait on lost children

in the wood

for new Grimm tales be written  

To Cliche Or Not To Cliche, That Is … The Cliche? (poem)

So there was a prompt from Bjorn at dVerse Poets earlier this week and it was this, Meet the bar positively through negation (though I did miss the window of submission to this one … I am often late to the party on a lot of these but still a prompt).

Now, I’m sure, I didn’t really meet the ask of this one and the “negation” thought, or maybe I did (that’s probably a part of everything I write without even thinking about it) but it did talk of cliche and maybe using negation to try and sidestep and I just got stuck.

Cliché Or Not To Cliché, That Is  … The Cliche?

Is it cliché to talk of cliché as if it weren’t cliché

instead

original, unique, one minded

new

descriptions freshly took

of former looks

inscriptions on old stone tablets I mined myself

or did I

with new hooks as if in song

surely no tuneful influence except …

and chipped into fashion with old used worn stone tools

fashioned a way

of white picket fences and lights of my life

to paths less traveled away

from fools

you think

from cliché

.

Is it cliché to try not be cliché?