The Cul-De-Sac (fiction)

This started as a haibun response to a prompt from Merril at dVerse poets this week and began with a remembrance of a time once spent on a Spring break from college to visit a Joanie and where we were, indeed, laid out hand in hand on a blanket in a darkening cul-de-sac whispering the sweet sweets of young love and treacly envisioned futures to each other.

The prompt also included some paint chip names to use like random words if you were so inclined, one of which was “Big Dipper”.

Then, well, it went in a bit of a different direction, though I did still finish with a haibun’s haiku.

The Cul-De-Sac

We lay together with a small billboard for Allgrove Estates “Coming Soon!” behind us, sharing a blanket and large pillow that we had brought along after being drawn unexpectedly to the quiet darkened cul-de-sac on this slightly askew Spring evening.

Just she and I, some half-finished modern homes encroaching the Darker Wood in a broken unfinished circle, and the stars.

We both had heard the talk about the why’s of the new home’s incomplete and why Mr. Allgrove had to leave town very quickly, flown in the middle of the night actually, as one story went, something about possible angry jilted investors and why his wife and family had left just as quickly to move in with someone’s in-laws or grandparents or cousins, or some extended family someone’s or others a few towns or states or even countries over, as the continued story went, but we didn’t care of any of that as we just held hands willed together now in that darkened quiet of the unfinished cul-de-sac, on our blanket and shared large pillow, in front of the small Allgrove billboard looking up at the Big Dipper and other constellations (the big dipper was the only one we could name) wondering which stars to wish young love upon and which one of us would dare a first kiss as we felt a sudden unexplained want, a pull we didn’t know or understand.

There were other stories too, floating about in the mist of whispered townsfolk conversations or just nervous singular darting eyed declarations before they all just silenced themselves with quick left fingered signs at hips, or behind backs or, for most, in pockets, hidden, and quicker turns away to eventual slammed doors and curses. She and I even talked briefly of this, but in throes, with our sweating palms grasping each others much more tightly now, more tightly than we had thought could or wanted, especially the rumors of Ol’ Mrs. Gladstone, the only one who would talk openly, and not haltingly in fear, of the cul-de-sac, what was there before and why the Darker Wood had never been developed and how Mr. Allgrove should have known better having long family history here, something the former Mr Gladstone knew full well according to Mrs. Gladstone with also a quick left fingered sign but one made with no intent to hide.

There were no angered investors she would tell me when I delivered her newspapers in weeks before this night. That was just the “story” she would say with a winking glint eyed rasp, to have his and his family’s disappearance make sense and that, NO, that he had ventured too far into Darker Wood out of greed, overstepped  his bounds and a town’s long history’s understanding of lines not crossed.

Then the Big Dipper disappeared and all the other constellations as well (the ones we couldn’t name) all the stars we tried to wish Spring wishes upon were gone, blackened into a pitch above us that we could feel settling and seeping into our blanket and onto our large shared pillow and slowly enveloping the Allgrove billboard like a heavy burden’s damp and with the smell of old embers and ash after the fire was out from Spring rains. Then it was that we couldn’t unclasp our hands, or star thought wishes, or now, even move, other than to lean into a mutual first kiss till we couldn’t even unclasp our lips. 

Then we heard the scrape of metal on stone.

/////

Spring brings birds in night

Feeling the pull of days come

To prepare new light