At The Edge Of The Surf (and dreaming) – (poem)

So the latest prompt at dVerse Poets asked to take into consideration Pablo Neruda’s poem “The Wide Ocean” and the line …

“Ocean, if you were to give, a measure, a ferment, a fruit of your gifts and destructions …”

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At The Edge Of The Surf (and dreaming)

I sat at the edge of the surf lap

salt breeze in my hair’s nose eye filling

it with clean crisp scented horizon to the curve and the fall

off the edge of the world and I swam tail tumbled with it (sea monsters be damned)

.

I sat on the edge of the surf lap

salt wet well heavy sand in my short’s pockets filling

them with distant worlds as many as grains some say

soon nothing more than to clog the shower

.

I sat in the edge of the surf lap

salt slap slapping the barnacled sides of swashbuckles filling

my childhood mind of salty peg legged cliches and snarky shoulder parrots

disguised now as distant cargo ships passing over the graves of my stories

.

I sat with the edge of the surf lap

salt sound rushing, hovering, digging my ears filling

them with floating gull life hungered cries above

to sand dig crab scratching on bits of sun glinting worlds below trying to hide

.

I sat am the whole of the surf lap

salt of earth and wind and sky and ocean filling

always ocean, especially ocean, filling

pockets with worlds in my tides

Reason? (flash fiction)

From a dVerse Prosery flash fiction prompt that asked to use the line “every day unfurls as it must” but top out at 144 words

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Reason?

The student asked the teacher why everything was so cryptic, so much the riddle, why couldn’t he be more straightforward, forthcoming?

The teacher said nothing

They sat   

Time passed, their season started to change, then changed again and again and again, nature and beasts followed growing and bleating, bucking and wilting, people as well, birthing and burying, peacing and warring, sometimes thinking bold new thoughts in the midst

Stars became from dust, glowed, warmed, exploded then back to dust with some even coming to be holes in the heavens

Those heavens? They were subject to the same passing of time, beliefs and disbeliefs, comforts and heresy’s to confound

The teacher stirred

“Every day unfurls as it must” he said “I can give you answers as we sit or you can be more witness, be of them, die with them. What would you prefer?”

Are All Accounted For In the Moon? (into dream) – (poem)

So returning to the art of Catrin Welz-Stein in a latest prompt at dVerse Poets, four paintings to choose from and then write away as you will on one or more.

Are All Accounted For In the Moon? (to dream)

The Captain called us all aboard at eyes shut wide

Déjà vu?

aboard captain, again

again

Ennui?

here Sir, ready to break free

Regret?

here (sigh)

you’re late

sorry Sir

Amalgam of youth?

(in unison) on deck

from where tonight?

(in unison in unison) a toss of year(s) Sir

Fear? … Oh, stop … we’re just flying into dream

but …?

You can run, you can stall, you can trip, you can fall

quiet

from heavens through clouds

or from small atolls

aloud …  

… but it’s always too real for us all

you’ll still wake, I’ll almost promise you daylight’ll still call

Anger? No, I know you’re aboard

!!!!!

Artists in color?

ready to paint vibrant Sir

Artists in black and white?

ready to paint an absence

Singers?

just off key Sir, enough

Joy? You still in with this company?

always Sir,

happy self sycophancy

.

The moon was more than willing to be yoked as an ox

or reined as a braided guilded horse

or bridled an ass

or even boated a hung foolish ship

but tethered on deck still

of

all willing slaves of sleeping adventure, rowing

rowing

a ship of nonsense,

or import

all equal for transport,

all equal

to what might come

tonight on light seas, nay, oceans of drama dream

discovery …

.

The Captain called us all aboard at eyes wide shut

again

Déjà vu? Is that you?

it is Sir

again

Headstone (flash fiction)

Another prosery challenge at dVerse Poets.

Their prosery? A very short piece of poetry or flash fiction that tells a story with a beginning, a middle, and an end. It can be any genre you choose, but it does have a limit of 144 words. Somewhere within your story, you must include given lines without changing word order or adding any.

The lines to include this time around? A couple from Edgar Allen Poe’s “The Sleeper”

I pray to God that she may lie
Forever with unopened eye

Headstone

In a graveyard nearing dusk the groundskeeper came upon Death, leaning heavily on his knot gnarl anguish handled scythe as he knelt at an almost hidden, fallen stone, shunned, just outside the cemetery, alone, at the edge of a large forest. He wept quietly.

“Are you alright old man?”

Death was startled

“What?!” as he tried to stand

“No need. Pay your respects”

“Why don’t you shudder cold at the sight of me, cringe, run to escape who I am, maybe to you?”

“I know death. I have been here as long as you have searched … for your mother right? How did you know?”

“I had this inscribed in her stone I pray to God that she may lie forever with unopened eye hoping she would never see my shame and what I had become and wrought”

The groundskeeper said “Let’s walk my friend”

Trains Pass (poem)

When seeing this prompt from Bjorn at dVerse Poets “Today I want you to use Onomatopoeia in your poem, to strengthen the imagery through its sound” I thought back to a poem I had written a number of years ago (2016) that had use of such, though briefly, and that I included as part of a post of remembrance for my dear Shoes, aka “The Big Orange”, who passed away about a year into living in a new place, along with Bella, with me single again, after a breakup.  

Now this apartment, a wonderful little place, happened to be just across the Hudson from the train tracks that ran along the river. I found comfort in my two furry sidekicks but also in the sound of those trains at night and wrote about them then and my new found solitude.

Being reminded of it though, and with a new eye, I thought to a bit of re-work and to expand with Bjorn’s prompt in mind.

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Trains Pass

Trains pass

rumble and clack, clackety clack, clack clackety, clack and rumble in order, order

across a river

Pass past the meander of tugs doing silent heavy water work

only in the shoulder length soft splash – wash – splash – wash – splash wash wake

felt

in the night

in other times

any proof they were even there

.

They pass the overgrown cat’s couch comforter

Bella

unawares

through my tiny comfy disturbing

nothing

not even a single dining room chair

.

from a neighbor’s dinner  

unawares

throwing air tasted

Island stereo song scent treats into every corner of this new tiny

from below my feet

familial familiar clink clink clink laughing silverware china clink clink

wishing if only for a fork and an invite

.

Shoes

To my left

in purr-in purr-out purr-in purr-out even cat breath measure

matches the clackety’s and the clacks and the clack clackety’s

from across a river

.

There’s rhythm, melody, music in trains

and scents

in the linger of a stranger’s daily

below my feet waking, cooking, fighting, living, laughing

the couch

overgrown comforter sleeps as do left bed purr-in purr-out sides

while trains pass in clackety clack clack clackety time  

carrying

sleeping cats

scented hungry music

in a clackety rhythm

of strange new comfort

A Village Of Box (poem – cento)

So Tuesday’s dVerse Poets prompt, “April Poems Bring May Centos”, was of two possibilities. Choose any line from any poem from those provided and write a poem including the line or inspired by it or, you could instead, try your hand at a “cento” (a poetic work wholly composed of verses or passages taken from other authors) also from any of the poems provided and to use at least two. In this case those poems provided for both were from April dVerse poetry prompts.

There were selections of poems from six different prompts and I went with the ones for “A Box Of Poems”, a prompt summarized as “write a poem of your own metaphorical box of 3 stanzas, the box, what’s in it, where’s it kept”. Then I decided to take the “Cento” route with this prompt as I had never done such.

7 poems and one of mine, also of a box, that used the prompt for inspiration but strayed from the particulars and went a different way.

So, the poems used for this Cento then . . .

Hidden In My Box – Bjorn Rudberg

History Box – Kim M. Russell

I Have Emptied You To The Wind – Paul Vincent Cannon

Empty Cereal Box – Melissa Lemay

Here Is A Box – Dora A.K.

My Master – Ben Alexander

Boxed – Punam – paeansunplugged

Cigar Box – Frankenberry

.

A Village of Box

The boxes are piling up

.

I made my box from stone

My box is made of cardboard

An empty cereal box

My box is forged of carbon steel

Made by human hands this box is

“Boxed” – I carry a bit of this and a bit of that

Here is a box (I won’t bore you)

Look-see, look-see (no you can’t see)

.

Inside it’s worn bent frame are crumbs and sugar dust

I filled it with dreams, ambitions of verses, ideals enshrined

Pale blue adorned with simple flowers

Pieces of a life,

Old photos, childhood toys,

Books strewn about

Images in sepia, monochrome and colour,

Higgedly-piggedly, no order

A repository of various thingamajigs

Disintegrating petal of pressed petunia

A bit of cloth, a coat of arms, from a school sweater smelling of defiance

A bundle of yellowing letters never sent

Once I held you close

an every day memory

.

I do not really keep my box,

So much as it keeps me

I’ve lived inside this box like a toy

.

Whatever you see of it, my dear,

Well, truth is, I see even less

It would have surrendered to the elements

Of mind and body by now

But I have emptied your contents to the wind

Setting me free

Marge & Henry Geese (flash fiction)

A Prosery challenge at dVerse poets.

“… a very short piece of prose or flash fiction that tells a story … It can be in any genre of your choice, but it does have a limit of 144 words; an additional challenge is to hit 144 exactly. The special thing about Prosery is that we give you a complete line or two from a poem, which must be included somewhere in your story”

The line or two in this case?

“Something told the wild geese it was time to fly”

From Rachel Lyman Field and her “Something told the Wild Geese”

So to a little bit of fun then was my first thought, don’t know why, just was, a conversation.

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Marge & Henry Geese

“Marge, can ya high tail it please, gotta fly”

“Hold on Henry, where are the kids?”

“They’re not here, grown and flown Marge, you know that, with little geese of their own”

“You’re gonna make me cry Henry”

“Heck Marge, the only time you DON’T cry is when I DON’T bring up the kids and then you honk at me thinking I’m purposely leaving them out of flight out of mind right before you start to cry”

“But we’re running late, why? Usually we’re right there with our sense of time” Marge flapped a wingpoint towards that sign in the roost Something told the wild geese it was time to fly

“Things are getting warmer now, gets timing off. Now can we go … and leave the Honk Sweet Home sign. Wanna catch up to the kids right?”

“Really?!! Oh, I’m so gonna cry!”

I Bella (me & steve) – (poem)

Yesterday at dVerse Poets Melissa presented us some artworks of Louis Wain and his famous cats as well as some of his story.

So from Melissa was this, “the assignment”, choose one of the artworks of Wain’s that she included in her post (dVerse link above) and write a poem of it. The only stipulation being that you cannot use the word “cat”, other cat terms are fine, just not the actual word cat.

I thought, and for those that may know me here in the Attic, well, ** something about cats? Now that’s kinda in my cat guy wheelhouse.

Of the choices, I opted for the flower eyed cat in his ‘untitled’ piece as cats are indeed beautiful and magical as Wain imagined.

** link to some silly cat posts

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I Bella (me & steve)

If apple could smell of fish heads and cliché’d claw thieving seaside shanty towns

I would be that of his eye 

and have name to imply

my

place deserved in this window’s high carpeted altar

curled closer to the sun

god  

in reverence of rays that exist but only, I know, to assist

my subsist

in a second coat’s

warmth

when fish heads might not be enough to fill

 

It might reflect that eye’s apple

even in petal bloom artist takes

for I am fields and grass and flowers to hunt among

or lounge more daydream of this sun

god

just closer now to earth taking in the full breadth

and what my name may be

simply for definition’s sake

of me and who is me to Steve and he to me

and our world under the sun

in windows once more

back

closer again worship 

though …

 

I would be Bella

sun god wishing to rival now

the warm I send back in naps of grand small furry feline universe dreams

on bedded altars

or in fields of adventure flowers and grass

where I wore funny float down slow earth particle hats collecting my brow

and wanting to know why he’s never been as beautiful as me

bella-window-spot-5

Talk To The Wind (poem)

From dVerse and Sanaa inviting to write a poem in a Maggie Smith conversational style

Talk to the Wind

I talk to the wind that listens in selfish wispy drafts

only to float away

with other interests

 

I watch it disappear away from my page

personified 

remnants then

in their

seasons passed

 

Cold clear crisp electric   

Fall musty ochre sunset

Hot haze happy shimmer 

Sprung earth new day  

 

I talk to them, these

remnants  

as they wisp back to reappear on my page 

In their lost season

landing to ask if they are still here

in my wind, to speak for them

if I can forgive them for leaving me

behind

but keep them alive

still

under my pen

Wall (poem)

In response to … Sammi Cox’s Weekend Writing Prompt: ‘temperature’

Write a poem of 37 words, not including the title, using the word “temperature” … no other stipulation.

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Wall

The devil and an ordinary angel sat

Reclining on

Recalling a wall

Their divide

That bordered a stream running North and South

East and West

The only gauge of which way to go

at

Was the temperature